On the back of the plastic longbox case is a cardboard backing that lists the title, along with the songs and timings at the top, and a description of the UltraDisc formula at the bottom two different variations of the Ultradisc descriptions have been found on the back of the longboxes. Speak To Me — 01:13 02. Across the top in gold it says Original Master Recording. In the lower right is the bar code. One Of My Turns — 03:37 11.
Pressed in Japan Manufactured by Victor Company of Japan, Ltd. Plastic Cover: Released sealed in a medium weight plastic cover. Inside the box is a second cover that houses the record. In other words let the album flow without pausing between songs. In fact, their advertisements guaranteed not to produce more than 200,000 copies of any release. Plastic Cover: Released covered in a clear-plastic cover. Please check with your local audio or record store and consult the latest Mobile Fidelity Sound Lab catalog.
Matte black label on a gold disk, with the label information and bricks etched out so that it appears to be written in gold. The UltraDiscs used 16 bit digital data. Meddle Original Master Recording High Fidelity Cassette In 1984, Mobile Fidelity Sound Lab also released an Original Master Recording High Fidelity Cassette of the Pink Floyd album, Meddle. Black with title and song titles. Found on later pressings 878, 1829, 1931, 2624, 3573, 3710. Record Debut: In a recent interview published in Goldmine Magazine, Herbert A.
Less than a 100 of each were produced. No transformers, limiting, or compression were used during the process. An item that is used but still in very good condition. Immediately after the metal lacquer was cut, it was refrigerated for protection. Vinyl Weight: Two weighed at 100 and 108 grams. These artists include The Beatles, The Beach Boys, Frank Sinatra, Miles Davis, The Cleveland Orchestra and more.
Yet these pressings use the 1st Sony mastering of the album. In the top left is the Ultradisc and Columbia logo. In the top left is the Ultradisc and Columbia logo. Goodbye Blue Sky — 02:53 08. On the back of the plastic longbox case is a cardboard backing that lists the title, along with the songs and timings at the top, and a description of the UltraDisc formula at the bottom two different variations of the Ultradisc descriptions have been found on the back of the longboxes. Digital mastering by Krieg Wunderlich.
Across the top in gold it says Original Master Recording. Production runs of 100 tapes at a time were done from a digital master whenever stocks would run low. This guarantees total accuracy during the sonic transference process from the master tape. Test Pressing: A test pressing was made on two one-sided discs. Specially Plated and Pressed on High Definition Super Vinyl by Victor Company of Japan, Ltd. Mobile Fidelity Sound Lab created a new, state-of-the-art shell mechanism that dramatically optimizes cassette playback performance. Bring The Boys Back Home — 01:17 06.
Bar code at the bottom. In the lower right is the bar code. Matte black label on a gold disk, with the label information etched out so that it appears to be written in gold. They are also thicker than conventional records, significantly reducing disc surface vibration. At the bottom of the front of the box was the Mobile Fidelity Sound Lab logo. Mobile Fidelity Sound Lab exclusively presents the most sonically spectacular recorded performances by superstars of the pop, jazz, rock and classical musical worlds.
Black with title and song titles. Somebody put it on a recorder instead of a playback-only mastering deck, and a little piece of Supertramp got dubbed onto the outro of Breathe. Inner Sleeve: Cardboard 4-page wrap-around inner sleeve cover. The pressing was sourced from the original stereo master tape. Black with title and song titles. P 1973 The Gramophone Company Ltd. Others we would run out of and have to request the masters back for another go.
In the top left is the Ultradisc and Columbia logo. Source: The Original Stereo Master Tape. They would carry a mark like A1-1 and would almost always sound a bit different from the original work we'd done as our gear was not total recall. In the lower right is the bar code. The commercial response was so amazing that the company literally was turned upside down, and these two fellows, neither of whom had a great deal of business experience, were swamped. Early copies of Dark Side of the Moon that were pressed at this plant had a unique mastering.
Any comments, corrections or additions to this discography are appreciated. Note: The metal master is indicated by the number following the written matrix number. . Young Lust — 03:29 10. Unauthorized duplication is a violation of applicable laws. Production Information: This Original Master Recording was made using the half-speed production process, with mastering by Original Masteringworks. The stamped matrix number, such as 2105, indicates stamper set 2 from master number 5.